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Extra info for A. V. Gulin (A tribute on the occasion of his 60th birthday)
In fact they were appearing together on tour in a play of his authorship, Weep for the Spring (later revised and retitled House in Shadow), at the time. She presented her dilemma to him and asked if he could offer any assistance. He immediately came up with an idea that would put her at ease. He asked if she enjoyed writing letters. She responded enthusiastically that she did and he suggested that perhaps he could write to her for advice and she could respond. They were also presenting The Wedding Morning (referenced and excerpted in the text) as a curtain raiser during part of the tour and he was having difficulty playing Anatol, so suggested they might begin with his asking for help on the comedic challenges of that role.
He sits down on not the most comfortable chair . ’ Ah, here is a neat exercise in technique! How does one convey this to the audience (who have not tried the chairs or had time to observe their relative comfort) in a flash? 51 JUST DO IT Well, one way is this. One sits down with the intention of martyrizing oneself, that is to say one makes oneself as uncomfortable as possible. Let him try the edge of the chair, sitting very upright, shifting slightly to emphasize the chair’s hardness, arms tightly to his sides and hands on his knees – feet planted.
His costume is the strangest mixture of early morning and overnight that ever was: a dressing jacket and dress trousers, slippers, and a scarf round the neck; but he looks bathed and shaved, and his hair is brushed. FRANZ , his man, answers the bell and, not seeing him, is going into the bedroom. ANATOL jumps up and stops him, more by gestures than with his voice, which he hardly raises above a whisper. 45 JUST DO IT ANATOL : Here, where are you going? I didn’t FRANZ : Did you ring, sir? ANATOL : Yes .