By Gregory S Butler PhD, George Stauffer, Mary Dalton Greer
That Johann Sebastian Bach is a pivotal determine within the historical past of Western song is infrequently information, and the value of his fulfillment is so great that it may be tough to understand. In About Bach, fifteen students convey that Bach's significance extends from choral to orchestral song, from sacred track to musical parodies, and in addition to his scribes and scholars, his predecessors and successors. extra, the participants show a range of musicological techniques, starting from shut reviews of Bach's offerings of musical shape and libretto to wider analyses of the historic and cultural backgrounds that impinged upon his creations and their lasting impression. This quantity makes major contributions to Bach biography, interpretation, pedagogy, and performance.
Contributors are Gregory G. Butler, Jen-Yen Chen, Alexander J. Fisher, Mary Dalton Greer, Robert Hill, Ton Koopman, Daniel R. Melamed, Michael Ochs, Mark Risinger, William H. Scheide, Hans-Joachim Schulze, Douglass Seaton, George B. Stauffer, Andrew Talle, and Kathryn Welter.
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9. The first lot fell under Asaph to Joseph (together with his sons and brothers, or relatives, they were twelve, for it explicitly states so for the others), the second to Gedaliah, together with his brothers and sons, they were twelve. [Vv. 10-30 continue with the recitation of the disposition of the lots to the twentyfour sons of Asaph, of Heman, and of Jeduthun. ”] v. 31. The twenty-fourth, to Romamti-ezer, together with his sons and brothers (or blood relatives as in all the preceding) they were twelve.
Bes. c. Calov, Die heilige Bibel, vol. 1/II, col. 222. Cited by Cox, The Calov Bible, facsimile 122 and p. 420. S. Bach and Scripture, 187. Calov, Die heilige Bibel, vol. 1/II, cols. 441 and 545. S. Bach and Scripture, 101. Olearius, Biblische Erklärung, vol. S. Bach,” Bach: Journal of the Riemenschneider Bach Institute 34 (2003), 1–71. In his gloss on First Chronicles 25:1, Olearius explains that, in this context—namely, a chapter devoted to “The Singers” (“CANTORES, Die Sänger”)—the term “prophets” implies that Asaph, Heman, and Jeduthun were gifted composers.
26–27. 38 Combinatorial Modeling spirituoso Œ Œ 10 Violins b 3 & b 4 b ˙œ œ œ Oboe Viola b & b 34 ˙œ n œ œ Soprano b & b 34 b ˙œ . œ œ Œ Œ ‰ nœ œ œ œ ‰ ‰ œœ œ œ b œ œ œ n œœ n œ œ œœ œœ œ bœ œ œ œ ‰ ‰ œœ ‰ œœ ‰ œbœ œ ‰ œj n œ ‰ j ‰ œj œ œ bœ œ œ œ œ œ œ œ œ ‰ nœ œ ‰ J œ nœ œ œ ‰ œJ œ œ œ œ ‰ J Œ Œ Œ Œ œ œ nœ œ œ J J J J œ œ J J le, Alto See - und œ le, und bist Tenor Bass Œ le, Continuo ? b 3 ˙ b 4 &b n Œ œ ‰ bœ œ ‰ œœ œ b œ œœ b & b œœ b œ œ œbœ œ œbœ œ 15 ‰ j œ œ ‰ J und bist - hig, und bist so so un - ru n Œ ‰ œœ œ b œœ œœ ‰ œœœ ‰ œj œ œœœ bœ œœœ ‰ J œ und - bist so un - ru-hig, hig, Œ œ œ ru - hig, und bist so un - ru - hig, und j j j j j b œ œ j b œ œ &b œœ œ œ œ b œ œ b œ œ œ J J œJ œJ b œ œ J J ru j œ œ J bist so un - ru - hig, und bist un - ru - hig, und bist un - so un - und bist so un ru - hig, und bist so un - ru - hig, und j j j j j j nœ œ œ .